O Masterpiece
X Excellent
O Good
O OK
O Mediocrity
O Avoid
Review by Jason Pyles / July 22, 2008
âThe Dark Knightâ is the towering masterpiece of the superhero movie genre. Nothing else even comes close (except maybe âBatman Begins,â but itâs still a distant second).
In fact, I practice significant self-restraint to avoid ranking âThe Dark Knightâ as a masterpiece across the board, meaning, not just among superhero movies but among all movies. I canât do that. Iâll explain later. But I do feel comfortable writing this: âThe Dark Knightâ is the best film of 2008 ⦠thus far.
Yes, Heath Ledgerâs Joker performance makes the movie. But one should not overlook the brilliance that is director Christopher Nolan. Letâs remember his filmography: âThe Dark Knight,â âThe Prestigeâ (2006), âBatman Begins (2005), âInsomniaâ (2002) and âMementoâ (2000). Oh, he also was a writer for all those great films, too, except âInsomnia.â
âThe Dark Knightâ isnât perfect, but itâs close. Iâm sentimental, sure, but not when it comes to dead actors. I thought Ledgerâs untimely death back in January was regrettable, but I felt the same briefly passing pensiveness that Iâd feel if any 28-year-old died.
Unfortunately, if Ledger receives an Academy Award next January for best supporting actor, I fear many people will shrug it off as a âconsolation prizeâ for dying. But Ledger is deserving of a nomination for the merits of his performance alone. I canât remember the last time I was so captivated by an actor. I couldnât take my eyes off him.
For all you naysayers, if any exist, compare Ledgerâs performance as Ennis Del Mar in âBrokeback Mountainâ (2005) with this Joker performance. His range is undeniable; the distance between those two characters is so remarkably pronounced, it seems clear to me that Ledger was one of the great actors of his generation. And while it is true that artists are always better appreciated after theyâre gone, Iâm not just writing this because heâs dead.
Reportedly, veteran actor Michael Caine thought Ledgerâs Joker performance was quite unsettling, even frightening. Iâve heard this a couple places, and I believe itâs true: To prepare for the role, Ledger stayed in a hotel room for a month to âbecomeâ the Joker. He worked on the characterâs psychology and his voice. He supposedly kept a diary, according to the IMDb trivia, of the Jokerâs thoughts and feelings to guide himself during his performances. And Ledger was also given various comic books featuring the Joker, so he could become acquainted with the character.
Not all the credit for this masterful character should be given to Ledger. It was brilliant (on somebodyâs part) that he doesnât have a perma-smile, but instead, scars that grimly suggest a smile. His makeup is âwar paint,â used to scare people â" not just a gimmick. At one point the Joker says heâs not crazy, which makes him scarier. (What if somebody were truly that vile and simultaneously completely sane? Uh oh.) Now thatâs scary. And I love how he isnât afraid of Batman (Christian Bale), nor is he intimidated; in fact, he greatly appreciates him. How do you battle a guy like that?
In short, Heath Ledgerâs Joker is one of the best movie villains in the history of cinema (if not the best), ranking up there with the likes of Darth Vader, Hannibal Lecter and Norman Bates.
Currently on the Internet Movie Database, âThe Dark Knightâ is ranked No. 1 on its top 250 list. Impressive but temporary. That fickle list is always shifting. Even so, Rotten Tomatoes and its exclusive critics rank this movie 94 percent fresh (out of 100). So, the critics are impressed. The movie-going public is also pleased: âThe Dark Knightâ broke box-office records for the highest all-time gross for opening weekend, which was $155,340,000. It also broke the opening day record with $66.4 million.
Despite my desire to sit in the theater again for a back-to-back showing, the following reasons were my only grounds for not rating âThe Dark Knightâ as a bona fide masterpiece: The movie is too long, kinda like this review. Yes, I just wrote about how I was willing to sit through it again, but masterpieces (in my estimation) need to be re-watchable, over and over again. Few people will sit through an overly lengthy movie countless times: Case in point, how many times have you watched your âLord of the Ringsâ trilogy?
(There is, however, one exception to this rule: The âUpâ documentary series, which is up to its seventh film, is a masterpiece, without question, no matter how seldom one watches it.)
The other problems with âThe Dark Knightâ are that its labyrinthine plot and its often unintelligible action sequences are a little hard to follow. I love action sequences that are clearly able to be seen and comprehended. And the story is impressive; itâs just not a movie that is completely understandable the first time around.
Another problem is its âsurpriseâ (which isnât really a surprise for most people) super villain who develops later in the movie. I know the movie was just following the character, but heâs simply a weak character. I will credit this movie for not making us wait until the next film to encounter the wrath of that villain.
And why do most superhero movie franchises always hit that whiny point where the superhero cries about the world no longer needing him, lamenting that the world would be better off without him? That is so tiresome, and I was disappointed to see it in a movie of this caliber. But at least we didnât have to have an origin story for the Joker, a mystery that made him creepier.
Due to the length of this review, I wonât cite examples, but I found it fascinating how many parallels there were (perhaps homages) to the 1989 âBatmanâ movie.
And now that Iâve reached the end of this review, Iâll close with a nutshell plot summary: Gotham Cityâs âwhite knight,â Harvey Dent (Aaron Eckhart) is cleaning up the city. Heâs even putting the squeeze on the mafia. Joker (Ledger) comes out of the blue to rally the criminals and to kill their primary obstacle: Batman (Christian Bale).
âThe Dark Knightâ is a must-see â" in the theater. Go right now and please, take me with you.
Directed by Christopher Nolan
Christian Bale / Heath Ledger / Aaron Eckhart
Action / Crime 152 min.
MPAA: PG-13 (for intense sequences of violence and some menace)
U.S. Release Date: July 18, 2008
Copyright 2008: 305
X Excellent
O Good
O OK
O Mediocrity
O Avoid
Review by Jason Pyles / July 22, 2008
âThe Dark Knightâ is the towering masterpiece of the superhero movie genre. Nothing else even comes close (except maybe âBatman Begins,â but itâs still a distant second).
In fact, I practice significant self-restraint to avoid ranking âThe Dark Knightâ as a masterpiece across the board, meaning, not just among superhero movies but among all movies. I canât do that. Iâll explain later. But I do feel comfortable writing this: âThe Dark Knightâ is the best film of 2008 ⦠thus far.
Yes, Heath Ledgerâs Joker performance makes the movie. But one should not overlook the brilliance that is director Christopher Nolan. Letâs remember his filmography: âThe Dark Knight,â âThe Prestigeâ (2006), âBatman Begins (2005), âInsomniaâ (2002) and âMementoâ (2000). Oh, he also was a writer for all those great films, too, except âInsomnia.â
âThe Dark Knightâ isnât perfect, but itâs close. Iâm sentimental, sure, but not when it comes to dead actors. I thought Ledgerâs untimely death back in January was regrettable, but I felt the same briefly passing pensiveness that Iâd feel if any 28-year-old died.
Unfortunately, if Ledger receives an Academy Award next January for best supporting actor, I fear many people will shrug it off as a âconsolation prizeâ for dying. But Ledger is deserving of a nomination for the merits of his performance alone. I canât remember the last time I was so captivated by an actor. I couldnât take my eyes off him.
For all you naysayers, if any exist, compare Ledgerâs performance as Ennis Del Mar in âBrokeback Mountainâ (2005) with this Joker performance. His range is undeniable; the distance between those two characters is so remarkably pronounced, it seems clear to me that Ledger was one of the great actors of his generation. And while it is true that artists are always better appreciated after theyâre gone, Iâm not just writing this because heâs dead.
Reportedly, veteran actor Michael Caine thought Ledgerâs Joker performance was quite unsettling, even frightening. Iâve heard this a couple places, and I believe itâs true: To prepare for the role, Ledger stayed in a hotel room for a month to âbecomeâ the Joker. He worked on the characterâs psychology and his voice. He supposedly kept a diary, according to the IMDb trivia, of the Jokerâs thoughts and feelings to guide himself during his performances. And Ledger was also given various comic books featuring the Joker, so he could become acquainted with the character.
Not all the credit for this masterful character should be given to Ledger. It was brilliant (on somebodyâs part) that he doesnât have a perma-smile, but instead, scars that grimly suggest a smile. His makeup is âwar paint,â used to scare people â" not just a gimmick. At one point the Joker says heâs not crazy, which makes him scarier. (What if somebody were truly that vile and simultaneously completely sane? Uh oh.) Now thatâs scary. And I love how he isnât afraid of Batman (Christian Bale), nor is he intimidated; in fact, he greatly appreciates him. How do you battle a guy like that?
In short, Heath Ledgerâs Joker is one of the best movie villains in the history of cinema (if not the best), ranking up there with the likes of Darth Vader, Hannibal Lecter and Norman Bates.
Currently on the Internet Movie Database, âThe Dark Knightâ is ranked No. 1 on its top 250 list. Impressive but temporary. That fickle list is always shifting. Even so, Rotten Tomatoes and its exclusive critics rank this movie 94 percent fresh (out of 100). So, the critics are impressed. The movie-going public is also pleased: âThe Dark Knightâ broke box-office records for the highest all-time gross for opening weekend, which was $155,340,000. It also broke the opening day record with $66.4 million.
Despite my desire to sit in the theater again for a back-to-back showing, the following reasons were my only grounds for not rating âThe Dark Knightâ as a bona fide masterpiece: The movie is too long, kinda like this review. Yes, I just wrote about how I was willing to sit through it again, but masterpieces (in my estimation) need to be re-watchable, over and over again. Few people will sit through an overly lengthy movie countless times: Case in point, how many times have you watched your âLord of the Ringsâ trilogy?
(There is, however, one exception to this rule: The âUpâ documentary series, which is up to its seventh film, is a masterpiece, without question, no matter how seldom one watches it.)
The other problems with âThe Dark Knightâ are that its labyrinthine plot and its often unintelligible action sequences are a little hard to follow. I love action sequences that are clearly able to be seen and comprehended. And the story is impressive; itâs just not a movie that is completely understandable the first time around.
Another problem is its âsurpriseâ (which isnât really a surprise for most people) super villain who develops later in the movie. I know the movie was just following the character, but heâs simply a weak character. I will credit this movie for not making us wait until the next film to encounter the wrath of that villain.
And why do most superhero movie franchises always hit that whiny point where the superhero cries about the world no longer needing him, lamenting that the world would be better off without him? That is so tiresome, and I was disappointed to see it in a movie of this caliber. But at least we didnât have to have an origin story for the Joker, a mystery that made him creepier.
Due to the length of this review, I wonât cite examples, but I found it fascinating how many parallels there were (perhaps homages) to the 1989 âBatmanâ movie.
And now that Iâve reached the end of this review, Iâll close with a nutshell plot summary: Gotham Cityâs âwhite knight,â Harvey Dent (Aaron Eckhart) is cleaning up the city. Heâs even putting the squeeze on the mafia. Joker (Ledger) comes out of the blue to rally the criminals and to kill their primary obstacle: Batman (Christian Bale).
âThe Dark Knightâ is a must-see â" in the theater. Go right now and please, take me with you.
Directed by Christopher Nolan
Christian Bale / Heath Ledger / Aaron Eckhart
Action / Crime 152 min.
MPAA: PG-13 (for intense sequences of violence and some menace)
U.S. Release Date: July 18, 2008
Copyright 2008: 305

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